Daisy Lafarge was lying connected nan level successful excruciating symptom erstwhile she started her latest paintings. A terrible injury, coupled pinch a abrupt worsening of her health, had near her incapable to beryllium upright, while encephalon fog and fatigue made reference and penning impossible. So nan award-winning novelist and writer fell backmost connected her creation schoolhouse training, utilizing nan power and materials she had to manus to create impressionistic paintings of her surroundings – her feline Uisce, her boyfriend’s PlayStation controller – alongside unsettling imagery of enclosed gardens and flowers decaying.
“Making nan paintings was a measurement of coexisting pinch pain,” says nan 34-year-old. “I was connected my surviving room level successful agony for a fewer hours, but I wanted to get thing retired of that time. I’ve ever been fascinated by artists and writers who move limitations into general constraints. I spot nan paintings arsenic my effort astatine that.”
The useful were made pinch basal materials: “quite cheap” paper, paints and brushes, arsenic good arsenic kinesiology tape, an adhesive that Lafarge, who has nan connective insubstantial upset Ehlers-Danlos syndrome, uses to supply support to her joints and ligaments. Seeing arsenic nan portion needs to beryllium trim successful very circumstantial ways, it leaves down unique butterfly-shaped remnants that Lafarge repurposed into ornamental elements. The watercolours will beryllium accompanied by a poem rhythm inspired by William Blake’s The Sick Rose and nan 13th-century matter The Romance of nan Rose, drafting connected nan principles of courtly emotion to show nan allegorical communicative of a narration successful which symptom is characterised arsenic an “intoxicating, sometimes rather violent” lover.
The paintings and poesy will beryllium connected show this period astatine Dundee Contemporary Arts Centre arsenic portion of We Contain Multitudes, an accumulation bringing together nan activity of 4 artists pinch disabilities. Also showing are Jo Longhurst, whose latest task is inspired by bindweed, an unwanted yet resilient plant; Andrew Gannon, who creates activity modelled connected casts of his near arm; and Nnena Kalu, whose highly textural, cocoon-like sculptures and drawings gained her nan 2025 Turner prize – nan first clip it had been awarded to an creator pinch learning disabilities.

“I deliberation it’s awesome that Nnena won nan Turner,” says Lafarge. “I’m yet to spot her activity successful nan flesh, but I emotion nan measurement it takes up space, its undaunted physicality. I dream it leads to much inclusion of abnormal artists. But I don’t want to beryllium naively optimistic. I conscionable find it truthful difficult to disentangle from nan truth that abnormal artists are abnormal people. So is it really a turning point, unless abnormal group tin spend to beryllium live successful this country? And that comes down to structural issues: are they capable to power their ain homes, salary their carers and entree very basal things? It’s been an incredibly bleak clip from that perspective. A celebratory practice without existent worldly alteration is benignant of meaningless.”
For galore abnormal people, nan effort of managing analyzable conditions and chronic symptom is exacerbated by nan bureaucratic hurdles they look to person curen and support. Lafarge, who lives successful Glasgow, has ne'er been capable to spot a master for Ehlers-Danlos connected nan NHS, arsenic location are nary successful Scotland. Many of her paintings were made while being put connected lengthy telephone queues for big disablement payment, nan Scottish balanced of individual independency payment. “When you’re trying to get support from these institutions, which are punitive successful various ways, that tin return a batch retired of you arsenic well. Those processes tin beryllium incredibly difficult.”

The use cuts implemented by Labour past twelvemonth were a “huge assault” connected disablement rights, says Lafarge, but she accepts location has been advancement successful definite areas, specified arsenic nan expanding usage of entree documents, successful which creation workers group retired nan adjustments they will require from a venue, specified arsenic wheelchair ramps aliases regular breaks. “Most of nan clip now, thankfully, they’ll travel backmost and say, ‘Yes.’ But sometimes they’ll say, ‘No, we can’t.’”
Lafarge hopes exhibitions for illustration We Contain Multitudes tin situation preconceptions astir abnormal artists – and by hold abnormal people. Its 4 artists correspond a diverseness of conditions, and each tackles nan taxable of disablement successful a very different way. “One awesome point to travel retired of this show would beryllium for group to say, ‘I wouldn’t person assumed nan creator who made that is disabled’ – because it shouldn’t person to beryllium evident from nan content.”

She hopes her paintings and poems will speak to group sloppy of immoderate beingness ability. “You don’t person to beryllium abnormal to prosecute pinch this work. That’s a diminishing of it.”
She has thought a batch astir nan conception of identity. “When I was first diagnosed, I really didn’t want to over-identify pinch it and say, ‘I americium a writer pinch this condition.’ I conscionable wanted to beryllium a writer, aliases I wanted to beryllium an artist. There’s this unit to outwardly place pinch thing you mightiness consciousness personally ambivalent about. That’s frustrating.”
Disability, she says, shouldn’t beryllium seen arsenic thing removed from nan everyday, aliases a abstracted class of personhood. “People don’t realise that this activity is astir them arsenic well,” says Lafarge. “Many group will, either done aged property aliases wounded aliases illness, travel to cognize thing of that experience. We’re one successful four people. It’s not unusual. This implicates each of us.”
English (US) ·
Indonesian (ID) ·